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STUDY IN CONTRASTS
“Costume Art” is built on historical juxtapositions. Here, Harley Weir offers a body adorned with a leather British army apron and a 19th-century crinoline.

ALL UPSIDE
The “Abstract Body” is one of the exhibition’s themes. A self-portrait by Isabelle Wenzel (who trained as an acrobat) plays with its meaning.

ADD A LAYER
Evening, 2019, by Tschabalala Self—who is on the advisory committee for “Costume Art”—addresses bodily scale and shape to expressive effect.